Episode 1 of DisPLACEd is so close now.
Episode 1 of DisPLACEd is so close now.
Yes everyone, it’s finally that time!
With the release of the first instalment – or episode for you TV fans – of the revolutionary collaborative short story series DisPLACEd coming closer by the day, we have decided to release a teaser synopsis.
Follow the link, and let us know what you think (lol rhyming).
Hey everyone. I know I’ve been silent, but there has been very good reason.
While I may not be able to write here anymore (or as often), I would love for you all to check out my new project. Along with two of my very best friends, we have created a revolutionary collaborative short story series.
You can find our website here: DisPLACEd.
Make sure to check it out and subscribe to thelinked website so you can get straight-to-email updates. More info will be added over the next few months.
Premiere is in July 2016.
When you’re writing, whether it is a short story, novel, screenplay, etc., it is important to know you are not alone.
Not only are there a lot of online forums and real-life communities that are eager to discuss and critique your work, but there are websites and blogs that can give you great tips.
*All of these sites are FREE.*
All of these forums are up-to-date, with writing tips, publishing help, and forums specific to genres.
You can talk with other writers, hear about upcoming news and events, and they even hold some competitions and challenges.
The website layout might not be the most appealing, and it is very cluttered, but it is filled with fantastic information. It features articles by many authors, and there are tips for every area of your writing.
Numerous times throughout the day, iAuthor posts picture and word prompts. Whether you use them in your stories, or as an exercise to get your brain warmed-up, you can share with others and hear their feedback.
Every year, Text Publishing hold their Text Prize. The categories are ‘Young Adult’ and ‘Children’, with their first prize a publishing contract with a whopping $10,000 advance against royalties.
I haven’t used this site before, but I plan to. Getting your writing published is very hard, so it might be worth your while to enter some competitions.
National Novel Writing Month takes place annually in November. The goal is to write 50,000 words, getting one step closer to completing your writing project. Not only can it help you stay on-track, but you can chat with others and help each other.
Have you found a great writing website or blog? Let me know below!
Whether you’re writing a short story, television series, movie, novel, etc., you are going to have to complete more than one character profile.
Over the years, I have completed MANY of them, and have collated a well-rounded list of character qualities to help you decide who your character is.
CLICK BELOW TO DOWNLOAD DOCUMENT:
If you can’t download the file, here are the profile notes:
DESCRIPTION (EYE COLOUR, HAIR COLOUR, HAIR STYLE, HEIGHT, WEIGHT, BUILD, ETC.):
STYLE OF DRESS:
PHYSICAL FLAWS, ABNORMALITIES OR DISABILITIES:
QUIRKS AND MANNERISMS:
WHAT DO THEY BRING TO THE WRITING PROJECT/HOW ARE THEY DIFFERENT FROM OTHER CHARACTERS:
WHAT PART OF THEIR PERSONALITY CAN/SHOULD CHANGE:
DO THEY WANT TO CHANGE:
WHAT ARE THEIR LITTLE, SOMETIMES UNREASONABLE, FEARS:
WHAT ARE THEY SCEPTICAL OF, AND WHY:
WHAT DO THEY DO ON THEIR DOWN-TIME:
WHO IS/ARE THEIR BESTFRIEND/S:
WHO IS/ARE THEIR ENEMY/IES:
LEAST FAVOURITE FOOD:
FAMILY (PARENTS, SIBLINGS, ETC.):
LIFE-SHAPING EVENTS AND THEIR LONG-TERM EFFECTS:
Don’t worry if you can’t answer all of these questions yet, some of it will be decided as you go along.
Let me know how you go.
Make sure you also check out my other Writing Tips and Tricks:
Writing Tips and Tricks – Freelance writing jobs
Over the last fifteen or so years, I have dedicated myself to researching new writing (short story, novel, script) tips, tricks, and techniques. So, naturally, I want to share them with you all.
Some of these tips will be from my own experience, some from research, and some from my university studies.
Let me begin by saying these structure plans are not a ‘must do’. Yes, they are how the vast majority of novels and screenplays are written, but writing is a creative form and can always be beautiful when done uniquely. This is the simple version (in-depth version still to come). For examples throughout, I will be using Speed (1994) – this means there will be SPOILERS!
1. Believable/Sympathetic lead character
Each story needs to begin with the introduction of the lead character and the world of the story. The majority of lead characters need to garner sympathy from the audience. If we feel bad for them when they are being targeted by the bad guys, we will root for them. (i.e. Jack Traven and Harry Temple are L.A. SWAT officers. Straight away we see them in action, and acknowledge them as the good guys. When Jack shoots Harry to get to bomber-Howard, there is humour, a likeable emotion. We like them, therefore we root for them.)
2. Urgent/Difficult problem
This is where the action really takes off. Our lead character must be affected by an urgent and difficult problem. Not every problem the lead character will face is evident at this point, but it sets up the antagonist. (i.e. Bomber-Howard contacts Jack, and sets up the premise: “There’s a bomb on a bus. Once the bus goes 50 miles an hour, the bomb is armed. If it drops below 50, it blows up.”)
3. Attempts to overcome the problem
This is where the majority of the story/novel/screenplay takes place. Imagine a cliff with jagged rises. Each plateau is another problem. There are no real limits to how many problems your story needs, but each one needs to keep progressing the story. (i.e. Speed (1994) contained many problems for Jack to overcome. They include – not in order because I can’t remember – getting onto the bus that has already reached the bomb activation limit, passenger with gun and subsequent shot driver, navigating in heavy traffic without slowing, getting passengers off, etc.)
This can either be a continuation of the action – one thing leading to the next and never letting up or giving the lead character time to breath and recover, or almost like an after-thought – such as in Speed (1994) where Jack and Annie think the event is over only to have to face one last, major, problem. This problem needs to be more threatening than the others. The lead character doesn’t even need to be entirely successful (though it is the norm), but it is the end of the conflict.
The end of the story needs to almost mirror the introduction. It will show how the world of the story has changed, and how our lead character has grown from the experience.
So, this is the simple version of the Plot and Structure Plan. I will be going through the in-depth version soon, but this version is still great for beginners.